Zoro the gay blade

31. It is certainly George Hamilton's most memorable movie, an over-the-top spoof that never takes itself too seriously.

With Diego recovering, Bunny reluctantly accepts the mantle of Zorro, demanding a revamped costume replete with flashier adornments and replacing Zorro’s traditional sword with a whip.

As Bunny takes to championing the peasants, navigating a relationship with Charlotte, Diego’s situation grows complicated. Sissy jokes aside, it is enjoyable.

Picture Zorro shouting one-liners and then picture him being gay. Befriend the friendless! It's slapstick comedy at it's best. Of course they do all of it firmly tongue-in-cheek.

It does seem that a few people just don't get it. This spurs a duel where Diego escapes, but not without injuring his foot, leading to a noticeable limp.

In the following days, as Esteban’s cruelty in pursuit of wealth escalates, Diego is sidelined by his injury.

It goes all out with stereotypes as well. Esteban and the landowners become further incensed by Zorro’s antics and Bunny’s eccentricities. And to defeat. When we first see Zorro he is the dashing, demeanor figure we've all come to know. Demonstrating considerable flair, Diego engages in a duel against Garcia and his five brothers, wielding swords with finesse.

Too bad. The writing is witty and the one liners are things you will remember and repeat for years. However, a spy catches wind of her affections and informs the Alcalde, leading to her arrest and a death sentence.

In a gripping climax, disguised as a monk, Zorro negotiates his life for Charlotte’s, but just as he faces execution, Bunny makes a daring entrance in a dazzling Zorro outfit.

George Hamilton in an Oscar-worthy performance (if they gave an award for comedy - which they don't!) plays Zorro who is injured and has to rely on his twin brother to stand in. They were funny as long as they played it straight.