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In Good Night, Nurse! he takes it one step further, dressing as a nurse in order to escape a hospital. As with many a bisexual will understand, the film ends utter disappointment, with Christina having chosen her duties to her country over her lovers. Carl Theodor Dreyer)

Based on Herman Bang’s 1902 novel, which was previously adapted in 1916 under the title The Wings, the film follows a painter who falls in love with one of his male models, the titular Michael.

Richard Oswald)

Produced during the Weimar Republic era in Germany, this film stars Conrad Veidt as a violinist who falls in love with one of his students. Throughout the film, the characters’ attractions are fluid, making this one of the earliest films to feature lesbian, gay, bisexual/pansexual, and transgender themes. The men likely just “wanted to have something to remember themselves by,” as Treadwell tells Reuters’ Denis Balibouse and Gabrielle Tétrault-Farber.

Now, for the first time, the book and exhibition mean that “these couples get to speak for themselves,” as Nini told CNN’s Oscar Holland in 2020.

On top of that, she’s attracted to the tuxedo-wearing Countess Augusta Geschwitz. Of course, chaos ensues when she falls for another of the applicants. 

Michael, 1924 (dir. G. W. Pabst)

In this Weimar Era classic, Louise Brooks stars as Lulu, a vicarious young woman who finds herself in a love triangle between a father and son.

Leontine Sagan)

One of the earliest films to feature an all-female cast, this German film is set in a boarding school and follows a 14 year-old-girl who falls passionately in love with one of her teachers. Things get spicy when she meets a handsome doctor and the two fall for each other, with Ossi still disguised as a man!

Salome, 1923 (dir.

Goals indeed. 

Christopher Strong, 1933 (dir. The book was later adapted into a 1951 French film of the same name directed by Jacqueline Audry.

Viktor und Viktoria, 1933 (dir. So far, more than 4,000 such images—all taken between the 1850s and 1950s—have been found.

Now, 400 of these romantic snapshots are on display at the Musée Rath in Geneva, Switzerland, which hosts the Musee d’Art et d’Histoire’s temporary exhibitions.

Garbo wears both masculine and feminine clothing in equal measure. William Dieterle)

After accidentally killing a man who was accosting his wife, Franz Sommer (Dieterle) is sentenced to three years in prison. Reinhold Schünzel)

The basis for the 1982 Blake Edwards comedy Victor/Victoria starring Julie Andrews, this earlier version stars Renate Müller as a desperate woman who masquerades as a female impersonator in order to find work in a cabaret.

But oh that closing shot. Swanson looks dapper AF in a tuxedo throughout the film.

Anders als die Andern (Different From The Others), 1918 (dir. When he starts advertising for a new grandson, Jean disguises herself as a boy and applies for the job. According to Girls Will Be Boys author Laura Horak, critics at the time cited Mackaill’s costumes as one of the growing signs of sexual perversity in cinema.

Paramount Pictures

Wings, 1927 (dir.

In this delightful short a woman dresses as a man to get a job on a ranch, only to have all the women around them fall in love with “him.”

A Florida Enchantment, 1914 (dir. There are lesbians in a famous tracking shot (with one of them again styled to look like Radclyffe Hall). Hepburn herself was a trailblazer of butchness, and brought that to her post-code film Sylvia Scarlet, in which she successfully impersonates a man for most of the film. 

For more reading on early queer cinema, I recommend Hollywood Androgyny by Rebecca Bell-Metereau, Girls Will Be Boys by Laura Horak, Screened Out by Richard Barrios, and The Celluliod Closet by Vito Russo.